Day 2 of the Death and Culture Network Conference opened with, “Corpses in Cabinets,” my own panel, which included fantastic women scholars from around the world, but also from my home state!
Imagine my surprise when I realized the first speaker, Melissa Schrift, was from East Tennessee State University, close to my hometown. How cool to travel all the way to England to meet someone from home who is doing super cool, and in some ways similar work, to my own. Melissa spoke on, “Race, bodies and spectacle in 19th century living exhibitions,” which was exciting for me, since a large part of my dissertation and previous work was on freakshows and exhibitions of people with disabilities or difference. One of her case studies was that of Charles Byrne, “The Irish Giant,” whose body is still on display and causing controversy at the Hunterian in London. I spoke next on human remains in museums, then Jenny Bergman and Kicki Eldh presented “Death –a concern?” about human remains in Swedish museums.
Last, but certainly not least, curators Katherine Baxter and Ruth Martin from Leeds Museums and Galleries presented, “Displaying the dead: public reactions to human skeletons in museums.” They shared the museum’s human remains policy as well as photography policies. Leeds Museums have also integrated these big questions of museums displaying and photographing the dead into their exhibitions to involve the museum stakeholders and visitors in the process. I really want to visit the Leeds Museums and want to chat more with Katherine and Ruth on their work.
I am not exaggerating when I say this conference was basically made for me. The next session I attended was “Bodies on View,” which included a paper on TLC and other television programming (which I’ve written about before as the modern freakshow) and reliquaries and “bone churches.”
First up, Agata Korecka tackled “Death, dying and light entertainment” through medical reality television. Shows in the UK like Embarassing Bodies, or US-based shows like My 600 Pound Life, and a variety of other programs depict people with medical issues for entertainment or education. Sometimes, the subjects of those shows die, such as in the case of Robert Buchel, who died soon after filming. Korecka examined public reactions to the show during the airing, and then after the announcement of his death during the program. Kelsey Perreault ended the session with, “The Church of Bones and the human rights of the dead.” She explored a church in that displays the bones of various individuals in patterns across the chapel, and the treatment of these bones as a dark tourist destination. One audience question was about the gift shop offerings and commodification of the dead. Perreault also addressed questions about “protecting the dignity of the dead.”
My last session of the day was “Digital Reimaginings” with Kelly Richards and Matt Coward. Kelly did an amazing job discussing “Reimagining the personification of Death in popular culture” with a talk that included comics, movies, and other popular culture and their depictions of death. Her multimedia presentation included some fantastic video clips (Bill and Ted! Mighty Boosh!!) and she even finished the session with a great rebuttal of some quite strange questions. Matt ended the conference with a bang, discussing death and video games. I learned about some new games I want to play (Graveyard Keeper!) and now have a different perspective of seeing death spaces in video games, as well (not cool to ransack graves, God of War).
And just like that, DaCNet 2 was done. I hope to see a lot of the same folks at the 14th International Conference on the Social Context of Death, Dying and Disposal in Bath this September. Until then…