By Katie Clary
Night 1 of the conference I headed over to a pub for games and introductions to the DaCNet crew. I knew I was in the right place when I walked in and heard people asking, “Are you here for death??” I met all kinds of people from all over the world working broadly with death; Maggie, a doula and activist from the Bay area, Ruth from York who studies sociological aspects of death and criminology, Janieke from the Netherlands who studies funereal music… and so many more.
The next morning, I was excited to head over to University of York for the conference. My only complaint about this conference, and I’m not sure how it could be fixed and it is really a positive, is that there were so many great papers in each session. I wanted to try to hop from room to room for different papers in different sessions, but rooms were always packed (yay!) and it wasn’t really feasible. That said here are some highlights from Day 1:
Heather Conway and Ruth Penfold-Mounce, “The evil dead: the law and disposing of the criminal corpse.”
Wow. Something I had never given much thought, but now I can’t stop thinking about it! Who cares for the criminal dead, such as Ian Brady or the Manchester concert bomber? The morgue that took their remains has been dubbed “Monster Morgue.” Similar to this talk was, “(Dis)posing of monsters: justice and the ‘inhuman’ dead” by Daniel Robins and Rosie Smith. I’m still thinking through these issues and trying to decide what rights the dead have, and if those supersede those of the living. Best example: Ian Brady (who murdered children and buried them on the moors) wanted his ashes spread across those same moors; he was denied and instead his ashes were buried at sea, at night, and in secret. So thought-provoking!
Julia Banwell’s, “Echoes of the absent: Teresa Margolles’ work with afterlives of bodies, objects and spaces.”
Another one that has really stuck with me: Art and the dead. Artist Teresa Margolles has some great work addressing. Some of her best-known work is the details of murder victims of the cartels on marquees in Mexican towns and cities. The only thing I learned in this conference that truly bothered me was the piece, En El Aire (In the Air) (2003) which was a room filled with water vapor… from the water used to wash corpses at a morgue. Read more about her work here.
Claire Wood’s “Ordering meaning in the Victorian memorial card”
Wood looked in depth at these wonderful primary sources used to commemorate the dead. They are beautiful pieces of art, too! Last, Helen Frisby presented on, “Representing gravediggers in nineteenth and twentieth century popular culture” which included some great references to popular culture gravediggers.
Our evening concluded with a keynote address from Joanna Burke titled, “Carved into the body: forensic science, truth, and the female corpse.” Professor Burke talked about the gendered nature of death and forensics through the story of one of the early forensic mannequins used for training in England. From there, we were treated to a reception and dinner, which included a book launch and celebration by Emerald Publishing’s Death Studies series. Congrats to the new authors! I walked back to the guesthouse, excited for day 2 of DacNet and my own presentation in the morning…